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The Master of Petersburg

The Master of Petersburg

J. M. Coetzee

  • awardShortlisted, Best Designed Series, Australian Book Design Awards, 2020
  • Introduction by Shannon Burns

    History is coming to an end; the old account-books will soon be thrown into the fire; in this dead time between old and new, all things are permitted. He does not believe his answer particularly, does not disbelieve it.

    In the fall of 1869, Dostoevsky is summoned from Berlin to St Petersburg by the sudden death of his stepson. Mad with grief, Dostoevsky obsessively unravels Pavel’s life and death, becoming enmeshed in the same demonic conspiracies that claimed the boy. The Master of Petersburg is a daring novel about filial love and hate, authority and rebellion, art and imagination.

    J. M. Coetzee
    About the Author

    J. M. Coetzee was the first author to win the Booker Prize twice and was awarded the Nobel Prize for Literature in 2003. His work includes Waiting for the Barbarians, Life & Times of Michael K, The Master of Petersburg, Disgrace and Diary of a Bad Year. His most recent writing is a trilogy of novels: The Childhood of Jesus, The Schooldays of...

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    Shannon Burns
    About the Introducer

    Shannon Burns is a writer, critic and academic from Adelaide. His work has appeared in the Monthly, Meanjin, Australian Book Review and the Sydney Review of Books.

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    Extent:
    288pp
    Format:
    Paperback
    Text publication date:
    2 July 2019
    ISBN:
    9781925773880
    AU Price:
    $0.00
    NZ Price:
    $24.00
    Australian
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    Praise for J. M. Coetzee
    andThe Master of Petersburg

    ‘A provocative and ironic exploration of the relation of art and life.’

    ‘A dark and beautifully imagined novel. Coetzee draws a brilliant portrait of an era of desperation, obsession, and hope.’

    ‘A fascinating study of the dark mysteries of creativity, grief, relationships between fathers and sons, and of the great Russian themes of love and death.’

    ‘South Africa’s most brilliant novelist…challenges us to doubt our preconceived notions not only of love but of truth itself.’

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