Number 3 chiller
Zane Lovitt was a documentary filmmaker before turning his hand to crime fiction. His debut novel, The Midnight Promise, won the Ned Kelly Award for Best First Fiction, and led to Zane being named one of the Best Young Novelists of 2013 by the Sydney Morning Herald. His writing was compared to the likes of Raymond Carver, Quentin Tarantino and Peter Temple, to name a few.
‘They want to thieve our past work, and, by ending parallel importation restrictions and territorial copyright, destroy any future for Australian writers.’ Richard Flanagan
This is the first in a series of e-posters of Australian authors and overseas colleagues speaking up for their rights. Watch this space for more from Richard Flanagan, Magda Szubanski, Jonathan Franzen, Jackie French, Toni Jordan, Jeanette Winterson, Tom Keneally and friends.
My Last Continent, Midge Raymond’s beautifully written novel, explores love and loss in the fragile landscape of the Antarctic. Moving and evocative, it is a story for all of us who would love to go…one day…
Tragic love, alcohol, poetry, Russia and crime—brilliant themes to warm your winter! Plus three new books for the kids, with none of the above—except, perhaps a bit of criminal shenanigans—but lots of fun, friendship, adventure and time-and-space travel.
In 2009 Elspeth Muir’s youngest brother, Alexander, finished his last university exam and went out with some mates on the town. Later that night he jumped from the Story Bridge and drowned in the Brisbane River.
Did you know the Australian book industry employs more than 20,000 people and generates $2 billion in revenue annually, and that ours is the fourteenth-largest publishing industry in the world?
Authors, publishers, agents, printers and booksellers are devoted to and dependent
Magda Szubanski’s Reckoning has picked up another award: this time, it’s the Australian Booksellers Association (ABA) Nielsen Bookdata Booksellers Choice Award. This award recognises the Australian new release that booksellers most enjoyed reading, marketing and handselling during the previous year. What wonderful recognition from the book community!
Sue Williams’s Murder With the Lot introduced us to smart, sassy Cass Tuplin—owner of the best, and only, takeaway in Rusty Bore, with a nose for a nice bit of juicy gossip and anything that might be considered suspicious behaviour. Murder With the Lot was shortlised in the 2013 Ned Kelly Awards for Best First Fiction, and now Cass is back in another irreverent and refreshing crime caper: Dead Men Don’t Order Flake. Or do they? Read on to find out in this extract from chapter one.